In the SNES version, he instead inexplicably jumps off the train. Like with Baxter in the first stage, Leatherhead keels over when you beat him in the arcade version.The SNES version instead has him come in from offscreen. In the arcade version, Leatherhead is introduced standing in the corner waiting for the player at the very end of "Bury My Shell at Wounded Knee".In the Super NES version, no rainfall occurs. While the Skull and Crossbones level mostly occurs at Sunshine, the boss fight in the arcade version occurs during rainfall.For the SNES version, Bebop and Rocksteady (who were oddly absent from the arcade version) appear instead, while Tokka and Rahzar were moved to the newly-added Technodrome stage. Tokka and Rahzar were the original opponents for the boss fight in "Skull and Crossbones"."Prehistoric Turtlesaurus"' boss in the arcade version was a giant blob monster (called Cement Man in the game) who originally appeared very briefly in the TV episode " Curse of the Evil Eye".The arcade version of "Sewer Surfin'" ended with a battle against multiple Pizza Monsters, afther which Shredder immediately sends the Turtles on a time warp.The Super NES version replaced them with Roadkill Rodneys. The arcade version of "Alleycat Blues" had robots with boxing gloves showing up midway through the stage.In the SNES version, his gun instead explodes and he falls out of the building. When Baxter Stockman is beaten at the end of the "Big Apple, 3 AM" stage in the arcade version, he falls down on his back.Since the SNES version doesn't have four-player capability, this obviously isn't done there. If four players were playing the arcade game, the victory animation at the end of the stage would instead be all four Turtles giving each other a high-five.The arcade version had a lot more voice clips.Throwing the Foot Soldiers on the ground or at the screen was triggered automatically at random points in the arcade version.The Super NES version's intro sequence is instead based on two shots from the cartoon's title sequence, oddly similar to the intro used in the first arcade game. The arcade game had a completely different intro sequence used for its attract mode, in which pictures of the Turtles were shown off behind scrolling text of the series' title, set to the song " Pizza Power" from the Coming Out of Their Shells live show.Starbase - Where No Turtle Has Gone Before Pirate ship, presumedly at the Caribbean Seaīebop and Rocksteady (disguissed as sea pirates)įuturistic highway (Turtles riding hoverboards) New York City sewers (Turtles riding surfboards) But in their attempt to save the statue, however, Shredder sends the Turtles back in time to the age of the dinosaurs, and now the Turtles must fight their way back to the present. Krang steals the Statue of Liberty, prompting the Ninja Turtles to come after it.
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Give Em (who produces two tracks) and Dr. After all, when co-executive producer Eminem raps, "Take some Big and some Pac/And you mix them up in a pot/Sprinkle a little Big L on top/What the f*ck do you got?" you know the answer. In sum, Get Rich is an incredibly calculated album, albeit an amazing one. That debate aside, however, Get Rich plays like a blueprint rap debut should: there's a tense, suspenseful intro ("What Up Gangsta"), an ethos-establishing tag-team spar with Eminem ("Patiently Waiting"), a street-cred appeal ("Many Men "), a tailor-made mass-market good-time single ("In da Club"), a multifaceted tread through somber ghetto drama (from "High All the Time" to "Gotta Make It to Heaven"), and finally three bonus tracks that reprise 50's previously released hits ("Wanksta," "U Not Like Me," "Life's on the Line") - in that precise order. The thing, though, is that 50 isn't exactly a rookie, and it's debatable as to whether or not Get Rich can be considered a true debut (see the unreleased Power of the Dollar and the Guess Who's Back? compilation ). Even so, Get Rich is indeed an impressive debut, not quite on the level of such landmark debuts as the aforementioned ones by Snoop or Nas - or those by Biggie, Wu-Tang, or DMX either - but impressive nonetheless, definitely ushering in 50 as one of the truly eminent rappers of his era. In fact, the expectations were so massive that they overshadowed the music itself - 50 becoming more of a phenomenon than simply a rapper - so massive that you had to be skeptical, particularly given the marketing-savvy nature of the rap world. Probably the most hyped debut album by a rap artist in about a decade, most likely since Snoop's Doggystyle (1993) or perhaps Nas' Illmatic (1994), 50 Cent's Get Rich or Die Tryin' certainly arrived amid massive expectations. Purchase and download this album in a wide variety of formats depending on your needs. |
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